The Killing of a Chinese Bookie is a 1976 American neo-noir crime film written and directed by John Cassavetes and starring Ben Gazzara. David Bowie was often present on set during the filming and can be seen in shots of the crowd at Cosmo's Crazy Horse West. It is the subjective fever dream of a psyche carving fantasy out of reality as he goes. The following night, gangster Mort and his associates arrive at the club and order Cosmo to find and kill a bookie named Harold Ling in exchange for wiping out his outstanding debt. The Killing of a Chinese Bookie is a 1976 American neo-noir crime film written and directed by John Cassavetes and starring Ben Gazzara. The Killing of a Chinese Bookie, 1978 Artwork image is not available online. 135 min. After killing Wu, Cosmo shoots several bodyguards and makes a run for it, but is shot by a stray bullet in the process. Cosmo Vitelli, proprietor of a cheesy strip club called the Crazy Horse West, isn't a bad guy, but he drinks too much and gambles with abandon. Though they insist the target is simply a low-level bookie, they inadvertently reveal his real name as Benny Wu, raising Cosmo's suspicions. Gazzara's character of the formidable strip club owner Cosmo Vittelli was in part based on an impersonation he did for his friend Cassavetes in the 1970s. The Killing of a Chinese Bookie A strip club owner gets into debt with the Mob and is pressured into murdering a bookie. However, the light that bathes the film is not crepuscular. There's nothing quite like this movie, and it's one that if you sit back and just let it do its thing, will remain absolutely unforgettable.One of the 1970s greatest achievements. He encourages the troupe to take on their theatrical personalities so that those in the audience can escape their troubles and also pretend to be who they are not. Colin Marshall 5,027 views Dr. Clark is sympathetic ... See full summary », Cosmo Vitelli owns the Crazy Horse West, a strip joint in Los Angeles. There’s quite a few scenes happening at morning. Add the first question. The Killing of a Chinese Bookie is a 1976 American neo-noir crime film written and directed by John Cassavetes and starring Ben Gazzara. After they explain that the bookie’s house is guarded and booby-trapped, the men give Cosmo a receipt for the money he owes them and encourage him to tear it up, proving that the hit will cancel his debt. He was always a bit too intense, wound a bit too tight, reminding me a demented Jerry Lewis hopped up on steroids. Two closely bound, emotionally wounded souls reunite after years apart. Although wife and mother Mabel is loved by her husband Nick, her mental illness places a strain on the marriage. Monday: Ben Gazzara in "The Killing of a Chinese Bookie" (1976), Cassavetes' unseen sleeper, which got little distribution when it was first made, but has gathered a reputation as one of his best and funniest. (Crazy Horse West strip club) 2 of 2 found this interesting. Chinese Bookie is the more insouciant, involuted and unfathomable of the two; the curdled charm of Gazzara's lopsided grin has never been more to the point. True to Cassavetes' form, the 108-minute version is not just a simple edit of the 135-minute version. Gazzara plays the operator of a strip club on Sunset Blvd., who problems with the mob force him into the unwanted role of hitman. He walks outside and observes blood dripping from his bullet wound as the show begins. The order of several scenes has been changed, there are different edits of a few scenes, and there are a few segments unique to the 108-minute version. When he runs afoul of a group of gangsters, Cosmo is forced to commit a horrible crime in a last-ditch effort to save his beloved club and his way of life. When he's not able to do so, they suggest he kill a Chinese bookie to wipe away his debt. I'm not sure if I LIKED it, but it sure was original..." Then later you find yourself haunted by it. Cosmo Vitelli owns the Crazy Horse West, a strip joint in Los Angeles. Compared to the grimy reality of other 1970s crime movies such as The French Connection, the formal surface of The Killing of a Chinese Bookie is one of shimmering beauty. A film maker of vaunting, demanding individuality, Cassavetes is like a jazz soloist, an improviser who tears off on wild riffs from a basic, familiar melody. That may sound pretentious to some, so be it, but that's what it is. Teddy’s theme song, “Imagination,” becomes the film’s bleak anthem. The first is the 1976 version, which is 135 minutes in length. Insurance agent plots with client to kill her nutty husband. A museum curator falls in love with a crazy parking attendant. The wonderful "Killing of a Chinese Bookie" Los Angeles, The City in Cinema: The Killing of a Chinese Bookie (John Cassavetes, 1978) - Duration: 15:28. When Cosmo procrastinates, Mort has one of his men rough him up and make it clear the killing must be completed immediately. At bottom, The Killing of a Chinese Bookie is a character study of its grinning, self-estranged protagonist, Cosmo, a small-time, rough-around-the-edges businessman trying to maintain … Suspenseful, mesmerizing, and idiosyncratic, The Killing of a Chinese Bookie is a thought-provoking examination of desperation and masculine identity. Cosmo takes a bus, then several cabs to Rachel’s house, where he collapses on the bed. Flo drags Cosmo to an empty parking garage where he admits he considers them friends before passing him on to Mort.
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